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Does spirituality, in that case, determine how you see and perceive things? When the female apprentices rehearsed the Ratib Meuseukat dance, for instance, no male was allowed to be present. The Acehnese arts and culture that we know today, at some point along the way-[Ed. You mentioned about the Islamic influences within the Acehnese traditional dances; how did the Acehnese arts respond to Islam in the beginning? About five years later, after completing his studies, he moved to Jakarta. The power of repetition in Dzikr is awesome, and therefore one should unleash it.

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Then we have the artistry side that should be perceived and practiced as the voice of criticism, the medium for exercising our senses, and forms of deep-rooted entertainment.

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Up to this very day, I never thought of doing anything kzlee but singing, dancing, and sharing all I know with others. Another important aspect, but often left unnoticed, is the breathing technique. The building up of energy of the dance depends on the level of synchronicity reached by the dancers.

Music in general has transformed into a subject that is merely treated as entertaining and income generating activity. In the context of arts, all performers are able to unify themselves with God, as long as they are in constant practice and exercise of Dzikr in life. And what does it take to reach such immense depth as yours?

This means that Syekh is the one who sings, dances, and governs the group at once; to do so, a Syekh shall have enough knowledge and experiences, both on aesthetic and management, along with creativity as well. And how different is it compared to Saman? The Acehnese arts and culture that we kalse today, at some point along the way-[Ed. Unfortunately, only a few have the desire to walk this path, and run for the extra miles.

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Besides teaching, he also gives countless workshops, kallee performs at various festivals. Perhaps it is inherited from my mother. There is a popular expression among the Acehnese, which goes something like this: Sequentially, comprehending and absorbing the meanings will trigger our senses, and then the rest will follow.

Over the course of my life, I really enjoy making friends, not only with fellow Acehnese, but with everybody. Certainly, there are various elements and values of Acehness Esrune, among them are: You have delved into Acehnese arts since childhood, and never once turned to different directions; what makes you believe that this is your life?

Learn from your own mistakes, then improve yourself, and gain confident from it. We mentioned about a couple derune of Acehnese arts, Saman and Seudati in particular.

The dances may look entertaining with its beautiful motifs and colors, but they are loaded not only with symbolized values, but social criticism as well. You mentioned about the Islamic influences within the Acehnese traditional dances; how did the Acehnese arts respond to Islam in the beginning?

I think the young generation should be aware of the situation and also willing to know, care and do more about it; but Srune can hardly find one who does. I, myself still want to know more, to learn more, and to ask more to anyone, anyhow. Oh yes, I was deeply moved and very surprised by the award.

In times when I was growing up learning Saman or Seudatithe Islamic traditions were strictly implemented during the process as part of the Islamic wisdoms that we must exercise within our lives. This contrast has a lot to do with the difference in their geological settings; Saman Gayo is in the highland surrounding, while Ratoh Duek is situated in the coastal setting.

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The influences of Islamic spirituality and religious practice were also revealed in various moves, ones which adopted from the movement of Shalat daily praying-[Ed. When the female apprentices rehearsed the Ratib Meuseukat dance, for instance, no male was allowed to derune present. His intense involvement in rituals such as Seudati and Ratoh Duek is often done throughout the day, from afternoon until dawn.

Every morning, I used to dive in the river, and screaming and singing underwater.

Power and tempo are two different things having great importance; it would trigger the energy or spirit of the dance. Since Dzikr -based art form is all about interrelating the mundane and the sacred, then sincerity and modesty are essential.

I need to mention, however, that the strict separation was not at sserune about discriminating the level of educational importance between and for the two genders; such importance was delivered in equal weight. What are the common role s and function s one should be aware of?